Brave Hearts: The Little Rock Nine

Nothing has illuminated America’s failings as harshly as the nation’s handling of racial strife; nothing has more clearly shown us at our best and our bravest as the victories won by the men and women in the great struggles of the Civil Rights Movement.

For generations who have grown up in a country where blatant segregation is (technically, at least) illegal, it’s bizarre to think that well within out nation’s collective living memory Black children once needed armed soldiers to escort them safely to school. But just six decades ago, the president of the United States was compelled to call on combat troops to ensure that nine teenagers in Little Rock, Ark., were protected from the enmity of their classmates and neighbors.

The Little Rock Nine, as the teens came to be known, were Black students who sought to attend Little Rock Central High School in the fall of 1957. The Supreme Court had ruled segregated schools unconstitutional in its landmark 1954 Brown v. Board of Education ruling. Three years later, states in the South finally began to face the reality of federally mandated integration. It was historic, and dramatic and for weeks on end, it was profoundly ugly.

Reporters and photographers from across the country traveled to Little Rock, expecting to chronicle the cultural poison unleashed in the South each time strides were made toward full desegregation. In Little Rock, on Sept. 4, 1957 on the first day of school the media recorded the scene as 15-year-old Elizabeth Eckford, the first of the nine to arrive, was sent off of school grounds by Arkansas National Guardsmen, their rifles raised.

Arkansas governor Orval Faubus had ordered this armed intervention by guardsmen under the pretense of preventing bloodshed—a scenario, LIFE noted at the time, that many Arkansans felt was unlikely to come to pass. Still, Faubus’s actions proved a successful, if temporary, roadblock.

A profile of Faubus published in the next week’s issue of LIFE noted that the governor spent several days holed up in his Little Rock mansion. Photographer Grey Villet and correspondent Paul Welch were with Faubus during his “self-imposed confinement,” noting in words and photos the man’s routines, which included answering letters from hundreds of segregationists sending cash and letters of support for his anti-integration resolve.

“The governor gulped tranquilizers and ate bland food to appease a troublesome stomach,” Welch wrote, noting that Faubus really seemed to believe that he was acting only with the best intentions for everyone involved in the standoff.

“A man without a great deal of courage would have taken the easy way out and said to the Negroes, ‘Go in there and get hurt,'” Faubus said. “But I’d rather take the criticism than face the prospect that I’d been negligent and caused someone’s death in this integration thing.”

The federal government, meanwhile, didn’t quite buy the governor’s justification for his actions in “this integration thing.” Interrupting his own vacation, President Dwight Eisenhower met with Faubus; shortly afterward, the Arkansas National Guard was removed from the school grounds.

On the heels of that decision came what LIFE deemed “a historic week of civil strife.”

On Sept. 23, the nine students entered Little Rock Central High School for the first time, ignoring verbal abuse and threats from the crowd outside. When the mob realized the students had successfully entered the school, violence erupted, and seven journalists were attacked including two reporting for LIFE. As the situation deteriorated, school officials, fearing for the students’ safety, dismissed the Little Rock Nine at lunchtime.

The next day, President Eisenhower ordered paratroopers from the 101st Airborne Division to the school, escorting students to the building and singling out troublemakers bent on disrupting the federal mandate. Over the following days, these troops and members of the Arkansas National Guard Eisenhower had federalized 10,000 guardsman, effectively taking them out from under Faubus’s control kept the situation in hand, their (armed) presence serving to pacify the more belligerent and strident elements in town.

Here, LIFE.com presents the work, much of which never ran in LIFE, of no less than six of the magazine’s photographers from Arkansas: Ed Clark, Francis Miller, Grey Villet, George Silk, Thomas McAvoy and Stan Wayman. Each brought his skills to bear on the events in Little Rock and, later, in Van Buren, Ark., in 1957 and ’58, and thus helped keep the desegregation struggle squarely in the public eye.

Although the Little Rock Nine were finally able to attend classes by late September 1957, the fight wasn’t over: throughout the rest of the school year, they faced ongoing abuse, threats, discrimination and acts of hazing from their white peers and, disgracefully, from equally vicious adults. But when spring 1958 came around, eight of the nine had successfully completed the school year. In an elemental way, they had won.

 

Vaughn Wallace is a photo editor and historian. Follow him @vaughnwallace.

Arkansas National Guardsmen prevent African American students from entering Little Rock Central High School, September 1957.

Arkansas National Guardsmen prevented African-American students from entering Little Rock Central High School, September 1957.

Francis Miller/Life Pictures/Shutterstock

A convoy of Jeeps from the 101st Airborne headed to Little Rock.

Francis Miller/Life Pictures/Shutterstock

Arkansas National Guard stand on duty during the integration of Little Rock Central High School, 1957.

Members of the Arkansas National Guard stood on duty during the integration of Little Rock Central High School, 1957.

Francis Miller/Life Pictures/Shutterstock

Members of the Little Rock Nine arrive at school, only to be turned away by Arkansas National Guardsmen, 1957.

Members of the Little Rock Nine arrived at school, only to be turned away by Arkansas National Guardsmen, 1957.

Francis Miller/Life Pictures/Shutterstock

Hazel Bryant follows and jeers at Elizabeth Eckford as she walks from Little Rock's Central High after Arkansas National Guardsmen barred Eckford from school.

Hazel Bryant followed and jeered at Elizabeth Eckford as Eckford walked from Little Rock’s Central High after Arkansas National Guardsmen barred Eckford from school.

Francis Miller/Life Pictures/Shutterstock

African American students, Little Rock, Arkansas, 1957.

African American students, Little Rock, Arkansas, 1957.

Francis Miller/Life Pictures/Shutterstock

Elizabeth Eckford, one of the Little Rock Nine, is waved off school grounds by Arkansas National Guardsmen, September, 1957.

Elizabeth Eckford, one of the Little Rock Nine, was waved off school grounds by Arkansas National Guardsmen, September, 1957.

Francis Miller/Life Pictures/Shutterstock

Elizabeth Eckford and family watch TV, Little Rock, Arkansas, 1957.

Elizabeth Eckford and family watched TV, Little Rock, Arkansas, 1957.

Francis Miller/Life Pictures/Shutterstock

Little Rock Nine, 1957

Members of the Little Rock Nine during legal hearings on their attempts to enter Little Rock Central High School, September 1957.

Grey Villet/Life Pictures/Shutterstock

Segregationists picket in Little Rock, Arkansas, 1957.

Segregationists picketed in Little Rock, Arkansas, 1957.

Ed Clark/Life Pictures/Shutterstock

A group of jeering anti-integrationists trail two black students down a street in Little Rock, Arkansas, 1957.

A group of jeering anti-integrationists trailed two black students down a street in Little Rock, Arkansas, 1957.

Ed Clark/Life Pictures/Shutterstock

Troops race to break up a crowd protesting school integration, Little Rock, Arkansas, 1957.

Troops raced to break up a crowd protesting school integration, Little Rock, Arkansas, 1957.

Ed Clark/Life Pictures/Shutterstock

Segregationists rousted from an anti-integration protest, Little Rock, Arkansas, 1957.

Segregationists rousted from an anti-integration protest, Little Rock, Arkansas, 1957.

Ed Clark/Life Pictures/Shutterstock

Segregationists rousted from an anti-integration protest, Little Rock, Arkansas, 1957.

Segregationists rousted from an anti-integration protest, Little Rock, Arkansas, 1957.

Ed Clark/Life Pictures/Shutterstock

African-American students arrive at Little Rock Central High under heavy guard by troops from the 101st Airborne, 1957.

African-American students arrived at Little Rock Central High under heavy guard by troops from the 101st Airborne, 1957.

Ed Clark/Life Pictures/Shutterstock

Paratroopers from the 101st Airborne stand guard outside Little Rock Central High School, September 1957.

Paratroopers from the 101st Airborne stood guard outside Little Rock Central High School, September 1957.

George Silk/Life Pictures/Shutterstock

Scene in Little Rock, Arkansas, during anti-integration protests in September 1957.

Scene in Little Rock, Arkansas, during anti-integration protests in September 1957.

George Silk/Life Pictures/Shutterstock

Troops from the 101st Airborne square off against anti-integrationists, Little Rock, Arkansas, September 1957.

Troops from the 101st Airborne squared off against anti-integrationists, Little Rock, Arkansas, September 1957.

George Silk/Life Pictures/Shutterstock

Scene in Little Rock, Arkansas, during anti-integration protests in September 1957.

Scene in Little Rock, Arkansas, during anti-integration protests in September 1957.

George Silk/Life Pictures/Shutterstock

African-American students escorted by federal troops, Little Rock Central High School, 1957.

African-American students escorted by federal troops, Little Rock Central High School, 1957.

George Silk/Life Pictures/Shutterstock

Troops from the 101st Airborne patrol the streets of Little Rock, Arkansas, 1957.

Troops from the 101st Airborne patrolled the streets of Little Rock, Arkansas, 1957.

George Silk/Life Pictures/Shutterstock

Civil Rights leader Daisy Bates gazes through her front window, watching the U.S. Army's 101st Airborne Division escort the Little Rock Nine from her home to begin their first full day of classes at the formerly all-white Central High School in Little Rock, Arkansas, 1957.

Civil Rights leader Daisy Bates gazed through her front window, watching the U.S. Army’s 101st Airborne Division escort the Little Rock Nine from her home to begin their first full day of classes at the formerly all-white Central High School in Little Rock, Arkansas, 1957.

Thomas McAvoy/Life Pictures/Shutterstock

Mrs. Daisy Bates, NAACP leader, meets with African-American students that have been denied admittance to public schools, Little Rock, Arkansas, 1957.

Daisy Bates, an NAACP leader, met with African-American students who had been denied admittance to public schools, Little Rock, Arkansas, 1957.

Stan Wayman/Life Pictures/Shutterstock

African-American students who were refused admission to their high school football game, Little Rock, Arkansas, 1957.

African-American students were refused admission to their high school’s football game, Little Rock, Arkansas, 1957.

Stan Wayman/Life Pictures/Shutterstock

At a school in Van Buren, Arkansas, African-American students arrive in front of a crowd of journalists and other onlookers, 1957.

At a school in Van Buren, Arkansas, African-American students arrived in front of a crowd of journalists and other onlookers, 1957.

Francis Miller/Life Pictures/Shutterstock

African-American students arrive at school in Van Buren, Arkansas, the year after the Little Rock Nine integrated Little Rock's public schools, September 1958.

African-American students arrived at school in Van Buren, Arkansas, the year after the Little Rock Nine integrated Little Rock’s public schools, September 1958.

Francis Miller/Life Pictures/Shutterstock

Students enter a previously segregated school, Arkansas, 1958.

Students entered a previously segregated school, Arkansas, 1958.

Francis Miller/Life Pictures/Shutterstock

‘West Side Story’: Photos From the Set of a Hollywood Classic

The names associated with the creation of that great American musical, West Side Story, comprise a who’s who of theatrical brilliance: Stephen Sondheim, Arthur Laurents, Jerome Robbins, Leonard Bernstein, William Shakespeare …

Right. Shakespeare. After all, the narrative elements that drive the high-octane action in West Side Story star-crossed lovers from feuding families; young men brawling in the streets; the blinding power of sexual desire are lifted directly from Romeo and Juliet. That Laurents, Sondheim and the rest saw that the major plot devices of a 16th-century tragedy could so seamlessly and entertainingly be transferred to 1950s New York City speaks volumes about the vision of the musical’s creators, and about the consummate genius of the Bard.

The Broadway production of West Side Story opened to largely ecstatic reviews on Sept. 26, 1957. The movie version, which went on to win 10 Oscars, including Best Picture, opened four years later, in 1961, and has been rightfully celebrated ever since as one of the most dynamic, appealing and imaginative American pop-culture creations of the 20th century.

(That’s choreographer Jerome Robbins in the chair, at left, suspended above co-director Robert Wise, seated on the ladder, during filming on the streets of New York City in 1960.)

The film ranks high on more than a few of the American Film Institute’s famed lists “100 Years, 100 Movies”; “100 Years, 100 Songs”; “Greatest Movie Musicals,” of course and is one of those rare Hollywood confections that, decades after its creation, remains critically acclaimed while enjoying the sort of routine, if kindhearted, skewering reserved exclusively for those entertainments that have earned a permanent and prominent place in the hearts of millions.

After all, how many times has the “Jet Song” (When you’re a jet, you’re a jet all the way!) been parodied? Or “Cool” (Boy, boy, crazy boy … keep coolie cool boy)? Or the gang bangers who break into elegant, soaring, Robbins-esque dance numbers at the drop of a hat?

Here, LIFE.com presents a series of photos by Gjon Mili made on the set of West Side Story. Some of these pictures ran in LIFE, while many more were not published in the magazine: but what comes across in every frame is the energy and the dedication of the men and women who were bringing a story that had already conquered Broadway to the big screen. Here, quite literally, is a classic in the making.


Bernardo (George Chakiris, center) leads gang, the Sharks, in a finger-snapping, crouching invasion of the turf of their rivals, the Jets.

Original caption: “Bernardo (George Chakiris, center) leads gang, the Sharks, in a finger-snapping, crouching invasion of the turf of their rivals, the Jets.”

Gjon Mili Time & Life Pictures/Shutterstock

Slippery Sharks, bedeviled by the tormenting of the Jets, cook up some dirty tricks. Here they pour yellow paint down on a quartet of dejected Jets. Both gangs are itching for an all-out street fight.

Original caption: “Sharks, bedeviled by the tormenting of the Jets, cook up some dirty tricks. Here they pour yellow paint down on a quartet of dejected Jets. Both gangs are itching for an all-out street fight.”

Gjon Mili Time & Life Pictures/Shutterstock

George Chakiris as Bernardo leads two other Sharks into Jets territory.

George Chakiris as Bernardo leads two other Sharks into Jets territory.

Gjon Mili Time & Life Pictures/Shutterstock

Scene from the set of the 1961 movie,"West Side Story."

On the set of West Side Story.

Gjon Mili Time & Life Pictures/Shutterstock

Scene from the set of the 1961 movie,"West Side Story."

Russ Tamblyn (yellow jacket) as Riff, leader of the Jets, in a scene from West Side Story.

Gjon Mili Time & Life Pictures/Shutterstock

Scene from the set of the 1961 movie,"West Side Story."

On the set of West Side Story.

Gjon Mili Time & Life Pictures/Shutterstock

Scene from the set of the 1961 movie,"West Side Story."

On the set of West Side Story.

Gjon Mili Time & Life Pictures/Shutterstock

Scene from the set of the 1961 movie,"West Side Story."

On the set of West Side Story.

Gjon Mili Time & Life Pictures/Shutterstock

Scene from the set of the 1961 movie,"West Side Story."

On the set of West Side Story.

Gjon Mili Time & Life Pictures/Shutterstock

Scene from the set of the 1961 movie,"West Side Story."

On the set of West Side Story.

Gjon Mili Time & Life Pictures/Shutterstock

Scene from the set of the 1961 movie,"West Side Story."

On the set of West Side Story.

Gjon Mili Time & Life Pictures/Shutterstock

Scene from the set of the 1961 movie,"West Side Story."

On the set of West Side Story.

Gjon Mili Time & Life Pictures/Shutterstock

Scene from the set of the 1961 movie,"West Side Story."

On the set of West Side Story.

Gjon Mili Time & Life Pictures/Shutterstock

Scene from the set of the 1961 movie,"West Side Story."

On the set of West Side Story.

Gjon Mili Time & Life Pictures/Shutterstock

Scene from the set of the 1961 movie,"West Side Story."

On the set of West Side Story.

Gjon Mili Time & Life Pictures/Shutterstock

Scene from the set of the 1961 movie,"West Side Story."

On the set of West Side Story.

Gjon Mili Time & Life Pictures/Shutterstock

Scene from the set of the 1961 movie,"West Side Story."

On the set of West Side Story.

Gjon Mili Time & Life Pictures/Shutterstock

LIFE’s Most Expressive Faces

Boys are thrilled and afraid as they ride an elevator for the first time. A woman worries as her astronaut husband soars through space. A man—Bob Hope—is letting an audience know he about to try his hardest to make them laugh.

Here, LIFE.com pulls from its archives a series of expressions—from people and, in a few cases, animals—that are both wordless and deeply rich. It’s a reminder that while communications by computer or phone call are certainly convenient, there is no quicker way to understand what a person is feeling than by looking them in the eye.


Bob Hope, 1941

Peter Stackpole Time & Life Pictures/Shutterstock

Donald the dog-loving duck plays with his friend, Trigger, a Chesapeake Bay Retriever, 1949.

Donald the dog-loving duck plays with his (seemingly embarrassed) friend, Trigger, a Chesapeake Bay Retriever, 1949.

Loomis Dean Time & Life Pictures/Shutterstock

Mrs. Leland S. McCleery watches her Michigan Wolverines lose to the Wisconsin Badgers, 1959.

Mrs. Leland S. McCleery watches her Michigan Wolverines lose to the Wisconsin Badgers, 1959.

Paul Schutzer Time & Life Pictures/Shutterstock

An intensely concerned Dr. Ernest Ceriani holds a bandage on the eye of a young girl whose head he has just stitched up after she was kicked by a horse, Colorado, 1948.

An intensely concerned Dr. Ernest Ceriani holds a bandage on the eye of a young girl whose head he has just stitched up after she was kicked by a horse, Colorado, 1948.

W. Eugene Smith Time & Life Pictures/Shutterstock

A fearful 15-year-old German Luftwaffe anti-aircraft crew member weeps after being taken prisoner by American forces during the drive into Germany in 1945.

A frightened 15-year-old German Luftwaffe anti-aircraft crew member weeps after being taken prisoner by American forces during the drive into Germany in 1945.

John Florea Time & Life Pictures/Shutterstock

A serene Marilyn Monroe on the patio outside of her Los Angeles home, 1953.

A serene Marilyn Monroe on the patio outside of her Los Angeles home, 1953.

Alfred Eisenstaedt Time & Life Pictures/Shutterstock

Child star Margaret O'Brien makes a classic face, 1945.

Child star Margaret O’Brien, 1945

Bob Landry Time & Life Pictures/Shutterstock

Rene Carpenter, the wife of NASA astronaut Scott Carpenter, watches his orbital flight on TV in 1962.

Rene Carpenter, the wife of NASA astronaut Scott Carpenter, watches his orbital flight on TV in 1962.

Ralph Morse Time & Life Pictures/Shutterstock

Yorkshire hogs appear to smirk as they share the shade on a hot summer day in 1951.

Yorkshire hogs appear to smirk as they share the shade on a hot summer day in 1951.

Wallace Kirkland Time & Life Pictures/Shutterstock

Sophia Loren, 1957.

Loomis Dean Time & Life Pictures/Shutterstock

A kitten emerges, undaunted, from a pot of milk, 1940.

A kitten emerges, undaunted, from a pot of milk, 1940.

Nina Leen Time & Life Pictures/Shutterstock

A less-than-happy American taxpayer at an IRA information center in New York City, 1944

A less-than-happy Amer4ican taxpayer at an IRA information center in New York City, 1944

Alfred Eisenstaedt Time & Life Pictures/Shutterstock

Dazed U.S. Army Corporal Roy Day Jr., photographed after surviving a massacre by North Korean troops of 26 of his American fellow-prisoners. Day played dead after all of the prisoners were shot and left on a hillside in Korean, 1950.

Dazed U.S. Army Corporal Roy Day Jr., photographed after surviving a massacre by North Korean troops of 26 of his American fellow-prisoners. Day played dead after all of the prisoners were shot and left on a hillside in Korean, 1950.

Hank Walker Time & Life Pictures/Shutterstock

Actress Jeanne Moreau weeps in a scene from the film, Five Branded Women, 1960.

Gjon Mili Time & Life Pictures/Shutterstock

Two boys hold their breath, amazed, on their first elevator ride, 1948.

Two boys hold their breath, amazed, on their first elevator ride, 1948.

Allan Grant Time & Life Pictures/Shutterstock

Gen. Douglas MacArthur roars orders from the bridge of the flagship USS Mount McKinley during an assault on the Inchon beachheads during the Korean War, 1950.

Gen. Douglas MacArthur roars orders from the bridge of the flagship USS Mount McKinley during an assault on the Inchon beachheads during the Korean War, 1950.

Carl Mydans Time & Life Pictures/Shutterstock

Winston Churchill, inscrutable during an election campaign, 1951.

Winston Churchill, inscrutable during an election campaign, 1951.Winston Churchill, 1951

Alfred Eisenstaedt Time & Life Pictures/Shutterstock

A tough sergeant bawls orders from the corner of his mouth, 1952.

A tough sergeant bawls orders from the corner of his mouth, 1952.

Cornell Capa Time & Life Pictures/Shutterstock

A mother nurses her child, Israel, 1960.

A mother nurses her child, Israel, 1960.

Paul Schutzer Time & Life Pictures/Shutterstock

Shirley MacLaine and her daughter Sachi Parker playfully pout, 1959.

Shirley MacLaine and her daughter Sachi Parker playfully pout, 1959.

Allan Grant Time & Life Pictures/Shutterstock

Pediatrician Dr. Ralph Shugart confers with a worried mother of a baby that has been crying for hours, 1963. He decided to give them both a sedative.

Pediatrician Dr. Ralph Shugart confers with a worried mother of a baby that has been crying for hours, 1963. He decided to give them both a sedative.

Leonard McCombe Time & Life Pictures/Shutterstock

A woman laughs uproariously as she undergoes a "head-tapping session," part of a sensory awareness class in an encounter group at the Esalen Institute in 1970.

A woman laughs uproariously as she undergoes a “head-tapping session,” part of a sensory awareness class in an encounter group at the Esalen Institute in 1970.

Arthur Schatz Time & Life Pictures/Shutterstock

A jubilant Ronald Reagan celebrates victory during California's gubernatorial primary, 1966.

A jubilant Ronald Reagan celebrates victory during California’s gubernatorial primary, 1966.

John Loengard Time & Life Pictures/Shutterstock

Comedian Ed Wynn looks horrified at the idea of killing worms in the Broadway show, Hooray for What!

Comedian Ed Wynn looks horrified at the idea of killing worms in the Broadway show, Hooray for What!

Peter Stackpole Time & Life Pictures/Shutterstock

A North Korean soldier contemptuously sticks out his tongue at LIFE photographer Joe Scherschel on the second day of cease-fire talks during the Korean War, 1951.

A North Korean soldier contemptuously sticks out his tongue at LIFE photographer Joe Scherschel on the second day of cease-fire talks during the Korean War, 1951.

Joseph Scherschel Time & Life Pictures/Shutterstock

LIFE Goes to the Miss America Pageant, 1945

For years, one of the signature draws along the famous boardwalk in “the world’s favorite playground” of Atlantic City, N.J. was the annual Miss America pageant, long held every September in that neon city by the sea. Conceived in 1921 as a way to keep at least some of the summer crowds around and, of course, spending money after Labor Day, the pageant lit up Atlantic City for nine decades before packing up and moving, in 2006, to Vegas. (The contest returned to Atlantic City in 2013 but left again in 2019.) As the granddaddy or rather, the grandma of beauty contests, the pageant seemed to say something at once profound and quite silly about the culture that spawned it.

In fact, the reader will notice that that description might well apply to the pictures in this gallery, as well photos made by LIFE’s Alfred Eisentaedt during the 1945 competition in Atlantic City. (Only one of the pictures here, the first slide, ever ran in the magazine; the rest remained unpublished.)

Sure, there were speeches and displays of genuine talent on stage. But more often than not, the images that emerged from the two-day (now three-day) affair featured scores of women, most of whom seemed and who still seem to be cut from very much the same physical mold, wearing very small bathing suits and posing or parading in high heels.

That the Miss America title for many decades really meant Miss Caucasian America certainly undercut the pageant’s unspoken but strongly implied claim to celebrate and judge an entire nation’s loveliest and most talented women. Black women did not even begin competing in the pageant until the 1970s, and the first African-American Miss America, the wonderful Vanessa Williams, would not be crowned until 1984, a full six decades after the pageant began.

But that sort of problematic history aside, the Miss America pageant remains a signature cultural happening, while the Miss America Organization provides tens of millions of scholarship dollars annually to thousands of young women who, without that money, might not be able to attend college. In fact, it just so happens that the Miss America featured in this gallery, Bess Myerson incidentally, the first Jewish winner of the pageant was the very first Miss America to receive a scholarship as part of her victory prize.

The winner of the 1945 Miss America pageant, 21-year-old Bess Myerson of New York.

The winner of the 1945 Miss America pageant, 21-year-old Bess Myerson of New York.

Alfred Eisenstaedt The LIFE Picture Collection/Shutterstock

Contestants in the Miss America pageant in Atlantic City, 1945.

Spectators line up during the Miss America pageant festivities in Atlantic City, 1945.

Alfred Eisenstaedt The LIFE Picture Collection/Shutterstock

Bess Myerson, Miss America, 1945.

Bess Myerson, Miss America, 1945.

Alfred Eisenstaedt The LIFE Picture Collection/Shutterstock

Scene outside the Miss America pageant in Atlantic City, 1945.

Scene outside the Miss America pageant in Atlantic City, 1945.

Alfred Eisenstaedt The LIFE Picture Collection/Shutterstock

Miss America Pageant 1945

Scene during the Miss America pageant in Atlantic City, 1945.

Alfred Eisenstaedt The LIFE Picture Collection/Shutterstock

Outside the Miss America pageant in Atlantic City, 1945.

Outside the Miss America pageant in Atlantic City, 1945.

Alfred Eisenstaedt The LIFE Picture Collection/Shutterstock

Contestants in the Miss America pageant in Atlantic City, 1945.

Contestants in the Miss America pageant in Atlantic City, 1945.

Alfred Eisenstaedt The LIFE Picture Collection/Shutterstock

Miss America pageant in Atlantic City, 1945.

Miss America pageant in Atlantic City, 1945.

Alfred Eisenstaedt The LIFE Picture Collection/Shutterstock

Contestant in the Miss America pageant in Atlantic City, 1945.

Contestant in the Miss America pageant in Atlantic City, 1945.

Alfred Eisenstaedt The LIFE Picture Collection/Shutterstock

Contestants in the Miss America pageant in Atlantic City, September 1945.

Contestants in the Miss America pageant in Atlantic City, September 1945.

Alfred Eisenstaedt The LIFE Picture Collection/Shutterstock

Inside the Warner Theater during the Miss America pageant in Atlantic City, September 1945.

Inside the Warner Theater during the Miss America pageant in Atlantic City, September 1945.

Alfred Eisenstaedt The LIFE Picture Collection/Shutterstock

Miss America pageant in Atlantic City, September 1945.

Miss America pageant in Atlantic City, September 1945.

Alfred Eisenstaedt The LIFE Picture Collection/Shutterstock

Miss America pageant in Atlantic City, September 1945.

Miss America pageant in Atlantic City, September 1945.

Alfred Eisenstaedt The LIFE Picture Collection/Shutterstock

Contestants in the Miss America pageant in Atlantic City, September 1945.

Contestants in the Miss America pageant in Atlantic City, September 1945.

Alfred Eisenstaedt The LIFE Picture Collection/Shutterstock

Bess Myerson, Miss America in 1945, Atlantic City, New Jersey.

Bess Myerson, Miss America in 1945, Atlantic City, New Jersey.

Alfred Eisenstaedt The LIFE Picture Collection/Shutterstock

Bess Myerson, Miss America in 1945, meets the press, Atlantic City, New Jersey.

Bess Myerson, Miss America in 1945, meets the press, Atlantic City, New Jersey.

Alfred Eisenstaedt The LIFE Picture Collection/Shutterstock

Miss America contestants in Atlantic City, September 1945.

Miss America contestants in Atlantic City, September 1945.

Alfred Eisenstaedt The LIFE Picture Collection/Shutterstock

Miss America pageant in Atlantic City, September 1945.

Miss America pageant in Atlantic City, September 1945.

Alfred Eisenstaedt The LIFE Picture Collection/Shutterstock

Miss America Bess Myerson (right) and friend, Atlantic City, New Jersey, September 1945.

Miss America Bess Myerson (right) and friend, Atlantic City, New Jersey, September 1945.

Alfred Eisenstaedt The LIFE Picture Collection/Shutterstock

LIFE With Clint Eastwood: On the Set of Dirty Harry, 1971

Clint Eastwood, now internationally acclaimed as a directer as well as actor, was known mostly as a star of Westerns when LIFE by photographer Bill Eppridge trained his camera on him in 1971. The images here were made on the set of a movie that would introduce a character with whom, for better or worse, Eastwood has been associated ever since: the brutal, gun-happy rebel cop, “Dirty Harry” Callahan.

But what’s also revealing and all these years later, somehow kind of sweet, is the way LIFE talked about Eastwood in the cover story that ran in the magazine in July 1971, five months before Dirty Harry hit theaters and, quickly, became a controversial cultural touchstone. Right there, on the cover of the issue, is the (perhaps) tongue-in-cheek words observation that sets the tone for the profile inside: “The world’s favorite movie star is—no kidding—Clint Eastwood.”

Then there’s the title of the piece: “Who Can Stand 32,580 Seconds of Clint Eastwood? Just About Everybody.” (The number refers to the time it would take to watch all the films in a nine-hour film festival of early Eastwood “spaghetti Westerns” that was running at the time.)

But even back then, Eastwood’s singular appeal as a Hollywood stud with far more going on under the surface than most of his hits up until then might suggest comes through. While his biggest fans (among moviegoers and critics alike) in 1972 could hardly have envisioned the esteem and the affection he would enjoy into his 80s, the Clint in the LIFE profile, and in these pictures, is a man clearly and fully at ease with himself. He’s a star who knows, as he says in the article, that “you have to give people good entertainment … If I started to pay too much attention to what the reviewers say, I’d have an ulcer.”

Four decades later, the reviewers are still trying to decipher Eastwood. And it’s clear that, four decades, later, he still doesn’t much care if they ever succeed.

Liz Ronk edited this gallery for LIFE.com. Follow her on Twitter at @LizabethRonk.

Clint Eastwood in the movie Dirty Harry, 1971

Original caption: “Swathed in bandages after a brutal beating scene in Dirty Harry, Eastwood rarely escapes mayhem in films. His fans appreciate that he gives more than he takes.”

Bill Eppridge The LIFE Picture Collection/Shutterstock

Clint Eastwood on the set of the 1971 movie, Dirty Harry.

Clint Eastwood on the set of the 1971 movie, Dirty Harry.

Bill Eppridge The LIFE Picture Collection/Shutterstock

Clint Eastwood on the set of the 1971 movie, Dirty Harry.

Clint Eastwood on the set of the 1971 movie, Dirty Harry.

Bill Eppridge The LIFE Picture Collection/Shutterstock

Clint Eastwood on the set of the 1971 movie, Dirty Harry.

Clint Eastwood on the set of the 1971 movie, Dirty Harry.

Bill Eppridge The LIFE Picture Collection/Shutterstock

Clint Eastwood on the set of the 1971 movie, Dirty Harry.

Clint Eastwood on the set of the 1971 movie, Dirty Harry.

Bill Eppridge The LIFE Picture Collection/Shutterstock

Clint Eastwood on the set of the 1971 movie, Dirty Harry.

Clint Eastwood on the set of the 1971 movie, Dirty Harry.

Bill Eppridge The LIFE Picture Collection/Shutterstock

Clint Eastwood on the set of the 1971 movie, Dirty Harry.

Clint Eastwood on the set of the 1971 movie, Dirty Harry.

Bill Eppridge The LIFE Picture Collection/Shutterstock

Clint Eastwood on the set of the 1971 movie, Dirty Harry.

Clint Eastwood on the set of the 1971 movie, Dirty Harry.

Bill Eppridge The LIFE Picture Collection/Shutterstock

Clint Eastwood on the set of the 1971 movie, Dirty Harry.

Clint Eastwood on the set of the 1971 movie, Dirty Harry.

Bill Eppridge The LIFE Picture Collection/Shutterstock

Clint Eastwood on the set of the 1971 movie, Dirty Harry.

Clint Eastwood on the set of the 1971 movie, Dirty Harry.

Bill Eppridge The LIFE Picture Collection/Shutterstock

Clint Eastwood on the set of the 1971 movie, Dirty Harry.

Clint Eastwood on the set of the 1971 movie, Dirty Harry.

Bill Eppridge The LIFE Picture Collection/Shutterstock

Clint Eastwood on the set of the 1971 movie, Dirty Harry.

Clint Eastwood on the set of the 1971 movie, Dirty Harry.

Bill Eppridge The LIFE Picture Collection/Shutterstock

Clint Eastwood on the set of the 1971 movie, Dirty Harry.

Clint Eastwood on the set of the 1971 movie, Dirty Harry.

Bill Eppridge The LIFE Picture Collection/Shutterstock

Clint Eastwood on the set of the 1971 movie, Dirty Harry.

Clint Eastwood on the set of the 1971 movie, Dirty Harry.

Bill Eppridge The LIFE Picture Collection/Shutterstock

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